Bibliography

2023

2022

2020

Sarah Wilson, editor and designer, ‘THE  ENGAGEMENT  PROJECT’, KCAT  2014–2020, published by KCAT ART CENTRE, Callan, Co. Kilkenny, Ireland,
ISBN 978-1-9161032-0-7, citations p  9,17,81, photographs pp 20-23,89.

Chris Fite-Wassilak, ‘THE ARTIST IN TIME’, published by Herbert Press, London, England, ISBN: 978-1-789940-35-0, interview by Chris Fite-Wassilak,pp 132,134-136, photographs by Ollie Harrop, pp 133-134, 136-137.

2019

Martin Krenn ‘Dialogical Interventions; Art in the Social Realm’,   © 2019 Walter De Gruyter GMBH, Berlin/Boston, ISSN 1866-248X, ISBN 978-3-11-063240-8
Interviews by Marius Fischer, pp 142 – 146,  photographs p’s 144, 145, 147.

Theron, Schmidt, (ed) ‘Agency (A Partial History of Live Art)’ published by Intellect Press (UK & USA) and Live Art Development Agency, London, England. ISBN: 978-1-78320-990-3
PDF ISBN: 978-1-78938-030-9
PUB ISBN: 978-1-78938-029-3
Text pp 215-224, photographs p221, citations pp38, 83, 196.

Aidan Dunne, ‘Five Best Art Exhibitions to see this week’, Irish Times, 27/7/2019, (Naming ‘Flux in Flow’ by Alastair MacLennnan and Sandra Corrigan-Breathnach at Golden Thread Gallery, Belfast, Northern Ireland. August 1st 12 noon – 8pm.)

Professor Patrick Lonergan (Ed) Irish Drama and Theatre Since 1950, Methuen Drama, London 2019, ISBN PB 978-1-4742-6265-1, Chapter 7: by Dr Aine Phillips, ‘An incomplete history of performance art in Ireland (and its blood relationship to theatre)’, pp218-219.

2018

Peggy Beardmore, ‘Students of Hospitalfield’ (Education and Inspiration in 20th Century Scottish Art), published by Sansom and Company Bristol, England, 2018, ISBN 978-1-911408-23-9, citations pp 123, 136, 139, photograph p123.

Mikaela Blomqvist, ‘Perfomancekonst Overraskar I Göteborg’, Göteborgs-Posten, 17th June 2018, citations and photograph of A. MacLennan’s performance ‘Hand To Sand’.

Northern Visions TV (NVTV), Belfast, N. Ireland, Collapse The Box: Alastair MacLennan Interview, broadcast Tuesday 26th June 2018.

Malgosia Sady and Zbigniew Benedyktowicz, ‘Kontektsty w Kontekstach’ (2011-2017), published by Art Institute of Polish Academy of Science, Warsaw, Poland, ISSN: 1230-6142, citations pp. 160, 161, 164, 165, photographs p162, 163. Note: ‘Konteksty’ is a quarterly publication, dealing with anthropology of culture, ethnography and art. It’s the longest running art publication in Poland (running for 72 years).

Gustaf Broms, ‘9 Questions’, published by FADO Performance Art Centre and centre for Orgchaosmik Studies, ISBN (Canada) 978-0-9730883-4-2, (Sweden) 978-91-639-8460-0, text pp. 10, 11, photograph p10.

2017

Kurt Johannessen, ‘Bergen International Performance Festival 2012-2014-2016’, published by Performance Art Bergen and PABLISH 2017, ISBN: 978-82-999991-5-1, p.10, photographs p. 48,49,50,51.

Robert McDowell (director) and Kasia Jackowska (exhibition coordinator), ‘Lie to Lay’, Summerhall catalogue, published by Summerhall, Edinburgh, Scotland, 2017, ISBN  978-1-9998109-1-7, on the occasion of ‘Air a Lair’, an Alastair MacLennan retrospective exhibition, at Summerhall, Edinburgh, Scotland.

Robert McDowell (director) and Kasia Jackowska (exhibition coordinator), ‘Summerhall Festival Programme 2017’, published by Summerhall, Edinburgh, Scotland, p.02, 04, photographs p. 03, 04, 05.

Susan Mansfield, ‘The most important Scottish artist you’ve never heard of.’, Scotland on Sunday, 6th August, 2017, interview, p. 8,9, photographs, p. 8,9.

David Pollock, ‘Six of Summerhall’s best art exhibitions for Edinburgh Festival 2017’, The List, 17th August 2017, citation (4 star).

Giles Sutherland, ‘Edinburgh visual art: Alastair MacLennan/Rose Frain at Summerhall’, The Times, 28th August 2017, review (4 star).

Susan Mansfield, ‘Art review: Alastair MacLennan, Muirhead Bone and Rudolf Von Ripper at Summerhall, Edinburgh’, The Scotsman, 6th September 2017, review (4 star).

2016

Helena Goldwater and Dominic Johnston, ‘Glimpses of Before–1970’s Performance Art in the UK’,  published online by Live Art Development Agency (LADA), London, England, <1970s.thisisliveart.co.uk>, compiled and edited by Helena Goldwater, with citations.

Joyce Athie, ‘A Liberdade e a Estranheza da Criacao’, in Otempo newspaper ( Belo Horizonte, Brazil ), no. 7169, magazine section, 1st August 2016, p. 1, photograph p. 1, citation p. 1.

Evamaria Schaller, ‘Black Market International–30th Anniversary Documentary’, published online by Finnish performance platform, ICEHOLE, http://www.icehole.fi/icehole/home-issue-4/documentary-black-market-international/ (participation in)

2015

Manuel Vason, ‘Double Exposures’, published by Live Art Development Agency, London, England, by Intellect, Bristol, England and by Intellect, University of Chicago Press, Chicago, USA, edited by David Evans, ISBN: 978-1-78320-409-0, citations p 140, 170, photographs p 61.

River Lin Ren-Zhong, ‘Venice International Performance Art Week 2014’, in Artplus Magazine (Taiwan/Hong Kong/Macao), no.40, Feb. 2015, photograph p 44 (A.MacLennan and Sandra Johnston, in “Let Liminal Loose”).

Aine Phillips, ‘Performance Art in Ireland: A History’, published by Live Art Development Agency, London, England, by Intellect, Bristol, England and by Intellect, University of Chicago Press, Chicago, USA, ISBN: 978-1-78320-428-1, citations p 11, 17, 19-22, 26, 71, 72-75, 74, 76-77, 86, 90, 96, 99-104, 110, 124, 127, 167, 247, 252, 255, 257, 272-73, 274, 318, photographs p 6, 12, 21, 74, 264, 286.

Brian Patterson and Laura Graham, ‘PANI’ , Performance Art in Northern Ireland, published by Bbeyond, Belfast, Northern Ireland, ISBN: 978-0-9557176-2-8, citations p 1, 5, 6, 7, 8, 22, 23, 24, 25, 74, 84, 96, 106, 129, 134, 158, 161, 162, 165, photographs p (iii), 11, 26, 42, 43, 80, 81, 82, 85, 133, 146, 164, 165, plus back cover.

Christa-Maria Lerm Hayes and Karine Talec, ‘Performance Art and the Conflict in Northern Ireland: A Troubles Archive Essay’, published online by the Arts Council of Northern Ireland, featuring work of significant practitioners and A.MacLennan.

2014

Paula Blair, ‘Old borders, New Technologies’, published by Peter Lang Ag, International Academic Publishers, Bern, 2014, ISBN  978-3-0343-0945-5, citations p 3,27,134,143-151,154, photographs p 4,148,149,151.

Alastair MacLennan, Brian Connolly, Sandra Johnston, ‘Workshops’ in How We Teach Performance Art (University Courses and Workshop Syllabus), edited by Valentin Torrens, published by Outskirts Press, ISBN 978-1-4787-3194-8, p 237-241.

Marcio Carvalho and Ioana Muntenescu, ‘Colab Editions’ (The Publication), published by Savvy Contemporary, edited by Jamie Schwartz, ISBN 978-3-00-045828-6, p 58,62,63, photographs p 59,60,61.

2013

Marek Rogulski, ‘Development-Between Genes and Memes-Technology of Thinking’, published by Drukarnia WL, ISBN: 978-83-937578-0-0, citations p 66, photographs p 67,68,79.

Natalie S. Loveless, ‘The Materiality of Duration Between Ice Time and Water Time’, in Performance Research, volume 18, no 6, Dec. 2013, published by Routledge Journals, ISSN 1352-8156, photographs p 130, citation p 131.

‘Up-On Chengdu’ (Somatic Aesthetics and Scene Connection), 1995-2012, edited by Zha Changping, produced by Chendu 3rd Avenue Culture and Art Communication Co., Ltd., China, citations p 52,168,169,189,209, photographs (group) p 181,182,197,205.

Rayne Booth and Claire Power, ‘Generation: 30 Years of Creativity at Temple Bar Gallery + Studios 1983–2013’, published by Temple bar Gallery + Studios, Dublin, Ireland, 2013, ISBN: 978-1-903895-16-0, statement p 87, citations p 12,86,88,187.

Johnny Amore, ‘Performers’, published by Pori Art Museum, Finland, 2013, ISBN: 978-952-5648-40-09 / ISSN 0559-4327, photo of the artist in performance, in CO-LAB 4, Berlin, 2011.

Sandra Johnston, ‘Beyond Reasonable Doubt’, published by LIT, ISBN: 978-3-643-90440-9, citations p 10,18,20,32,78,115,164,173,174,177,190,192,216,217,228.

2012

Slavka Sverakova, ‘Performance Art in Northern Ireland’, in Contemporary Theatre Review, published by Routledge, volume 22 ( 1 ), 2012, Backpages, p 177-180, citations p 178, 179.

Deirdre Heddon and Jennie Klein, ‘Histories and Practices of Live Art’, published by Palgrave MacMillan, 2012, ISBN: 978-0-230-22974-7, citations p 4,25,26,50-2,77,85,124, photograph p 52.

Helen Koriath, ‘Festival International d’Art Performance de Giswil’, published by Inter, Art Actuel (Quebec, Canada) nr. 112, autumn 2012, citations p 97,99, photograph p 97.

Eirini Papakonstantinou, ‘Thessaloniki Performance Festival, May 19-25, 2011’, for Performance Festival Biennale: 3, Thessaloniki Biennale of Contemporary Art, published by State Museum of Contemporary Art, Thessaloniki, Greece, ISBN: 978-960-9409-16-2, citations p 27, 35, 38, 72, 74, 147, 154, photographs p 73, 75.

Aine Phillips, ‘Art, Live & Videotape’, published by Visual Artists Ireland, in Printed Project, issue: 15, ISSN 1649-4075, citations p 11, 13, 14, 16, 18, 21, 22, photographs p 19.

Artur Tajber, ‘Metamuseum/Art in the Street’, published through the Polish National Science Centre, ISBN: 978-83-62321-10-0, interview p 36-41.

Leoni Schmidt and Pam Mc Kinlay, ‘Scope: Contemporary Research Topics’, published by Otago Polytechnic, Dunedin, New Zealand, August 2012, ISSN 2253-4660, text p 39-48, 51-59, citations p 2,4, 14-24, 27,29, 30-31, 60-62, 64-65, 67-70, photographs-cover, p 5, 7-10, 12, 22-23, 70.

Victoria Walters,  ‘Joseph Beuys and the Celtic Wor(l)d’, published by the Deutsche Nationalbibliothek, Lit Verlag, ISBN  978-3-643-90105-7, citation p 92-93.

2011

Christa-Maria Lerm Hayes and Victoria Walters, ‘Beuysian Legacies in Ireland and Beyond’, published by the Deutsche Nationalbibliothek, Lit Verlag, ISBN 978-3-8258-0761-0, citations p 10,114-115, 128, 135, photographs p 104,115.

Paul Couillard, ‘Why Performance?’, published by Total Art Journal (Canada), volume1, no 1, summer 2011, 4 quotations p 2,3,7,10, citation p 8.

Neil Cooper, ‘New Territories’, The List, Scotland, issue 677, citation and photo., p 89.

New Territories 2011, International Festival of Live Art, Scotland, publication produced by New Moves International, Glasgow, Scotland, citation and photo., p 08.

Julia Fiala, ‘Bridging Contexts’, published by Fuse Magazine, Canada, (art/culture/politics),

vol. 34, no. 2, spring 2011, citations, p 43, 44, photo.,p 44.

John Hurrell, ‘Performance Art from Northern Ireland’, published online at:

http://www.eyecontactsite.com/2011/05/performance-art-from-ireland26th May, 2011, citations and photos.

Slavka Sverakova, ‘Crossing-Alastair MacLennan and Sandra Johnston’, published online at:

http://livinggallery.info/text/crossing20th may, 2011, citations.

2010

Artur Tajber, ‘Metamuseum/Art in the Street (1)’, film, premiered in Bunkier Sztuki Club, Krakow, Poland, 22nd June, includes recorded interview with Alastair MacLennan.

Dr. Sverakova, ‘Aiming, the Naughton Gallery at Queen’s University, Belfast’, published by Enclave Review, Cork, Ireland, summer 2010, citations and photographs of performance, p 6.

Theron Schmidt, ‘The Final National Review Of Live Art, Glasgow’, Real Time, no 97, June/July, citation.

Chitra Ramaswamy, ‘The National Review Of Live Art Is 30 Years Young And Celebrating By Inviting Back Over 100 Of Its Top Alumni’, The Scotsman, 18th March, citation.

Sara Baume, ‘Right Here Right Now, Irish performance art, Kilmainham Gaol, 4th November 2010′, online publication, paper visual art journal, www.papervisualart.com,
citation and photograph.

Boris Nieslony, ’15 Principles For BMI’, Gallery, Art gallery Magazine, issue 145, December 2010, China, ISSN 1000-4815, photograph, p 050.

Euan McArthur and Arthur Watson, ’10 Dialogues-Richard Demarco, Scotland and the European Avant Garde’, published by the Royal Scottish Academy of Art and Architecture, Edinburgh, Scotland, ISBN 978-0-905783-21-5, photographs p 27, 28, 29, text p 26.

Duncan MacMillan, ‘Visual art Review: 10 Dialogues-Richard Demarco, Scotland and the European Avant Garde’, news.scotsman.com, 1st December, 2010, citation.

Ileana Pintilie, ‘Borderline’ (In Search Of A New Model), international conference and exhibition, catalogue published by Erste Stiftung, Romania, p 3, 8, 9.

David Turner and Fiona Goggin, ‘Expanded Studio’, Visual Arts Ireland, issue 1, 2010, citation p 19

Marina Abramovic, ‘The Future of Performance Art’, published by Prestel Publishing, Ltd., London and New York, ISBN 978-3-7913-5028-8, photographs p 120-123, citations p 19,96,97.

Edel Horan and Amanda Coogan, ‘Closing the Loop’, Visual Arts Ireland, News Sheet, issue 2, 2010, citation and photograph, p 18.

Mary Brennan, ‘Breaking New Ground’, The Herald, Scotland, (Arts Section), 27th February, 2010, citation and photograph.

Mark Fisher, ‘Many Happy Returns’, The List, Scotland, 4th-18th March, 2010, citations (2), p 25.

Chitra Ramaswamy, ‘A Homecoming of Strangelings’, The Scotsman, 17th March, 2010, citations (3) and photograph, p 40, 41.

New Territories 2010, International Festival of Live Art, Scotland, publication produced by New Moves International, Glasgow, Scotland, photographs-front cover (collaboration with Manuel Vason), p 23, citation, p 23.

The National Review of Live Art, 1979-2010, A Personal History, publication produced by New Moves International, Glasgow, Scotland, citations p 37, 42, 55, 56, 60, 73, 74, 78-82, 108, 130.

Nikki Milican, ‘The National Review of Live Art, Archive, 1979-2010’, produced by New Moves International, Glasgow, Scotland, photograph-inside front cover, p 39, citations p A1, A3, A12, A16, A22, A23, A25, A28, A34, A35, A36, A38, A39.

Lee Wen, ‘Future of Imagination (6)’, published by Future of Imagination (6), Singapore, ISBN 978-981-08-5577-2, photographs p 30, citations p 30, 53.

Jason Lim, ‘Confabulation’, issue no. 5, 2010, published by Confabulation Private Limited, Singapore, ISSN 1793-9739/MICA (p) 183/02/2010, photographs p 10, 18, 19, 21, 23, 24, 26, 28, citations p 15, 27, 39.

Amanda Coogan, ‘Accumulator’, in VISUAL, published by Visual Centre for Performance Art and George Bernard Shaw Theatre, Carlow, Ireland, ISBN 978-1-907537-00-4, citations p 64, 65, photograph and text p 78, 79.

Brian Patterson, ‘Pani’, published by Bbeyond, Belfast, N. Ireland, UK, ISBN 978-0-9557176-1-1, photographs p 94, 95, 96, 100, 103, 109, 111, 112, 113, 122, 124, 126, 128, 129, 139, 141, citations p 58, 66, 67, 74, 90, 94, 95, 100, 102, 108, 119, 126, 138, 140, 158.

2009

Professor Liam Kelly, ‘The School of Art and Design, Belfast, 1960-2009’, published by Ormeau Baths Gallery, Belfast, N. Ireland, UK, ISBN 978-0-9540086-8-0, photographs p 40, 41, citations p 7, 35.

Paul Clarke and Julian Warren, ‘Ephemera: Between Archival Objects and Events’, Journal of the Society of Archivists, volume 30, number 1, April 2009, published by Routledge, ISSN 0037-9816, citations p 51, 52, 53, 57, 59, 60, 62, 63, 64, photographs p 53, 59, 62.

Ileana Pintilie, ‘Borderline’, (in search of a new model), published in collaboration with the German Cultural Centre of Timisoara, Romania, ISBN: 978-973-0-06237-3, pp 67-78, 134.

Sara Baume, ‘Actually Living’, The Visual Artists’ News Sheet, issue 3, 2009, published by Visual Artists Ireland, group photo, p 19, citation, p 19.

Bartolome Ferrando, ‘The Art of Performance’ (elements of creation), published by Ediciones Mahali, S.L., 2009, Alzira, 7-4, 46007, Valencia, Spain, ISBN: 978-84-613-1524-6, p 125.

Brian McAvera, ’25 Years of Irish Art: A Personal Selection’, The Irish Arts Review ( 25th Anniversary Edition), Summer   2009, citation, p 56, illustration no. 11.

Robert Clark, ‘Marina Abramovic Presents’, The Guardian Guide, The Guardian, UK, 4th July 2009, citation, p 76.

Rachel Campbell-Johnston, ‘Performance Art Marina Abramovic Presents’, The Times 2, UK, 6th July 2009, citation, p 77.

Alastair Sooke, ‘Hypnotized by the Godmother’, The Daily Telegraph, UK, 7th July 2009, citation, p 78.

Hans Pietsch, ‘Manchester International Festival’, Art Das Kunstmagazin, 8th July 2009, citation, p 2/21, photograph, p 15/21.

Adrian Searle, ‘Marina Abramovic Presents’, pod cast, Guardian website, guardian.co.uk., 7th July 2009, citation and images of ‘Warp Wrap’ Actuation (performance/installation).

Alastair Sooke, ‘Marina Abramovic Presents’, The Culture Show, BBC TV, 15th July 2009, citation and images of ‘Warp Wrap’ Actuation (performance/installation).

Dr. Slavka Sverakova, ‘The Visual Force’,–Collective Histories of Northern Irish Art,–published by Golden Thread Gallery, Belfast, N. Ireland, UK, ISBN: 978-0-9557469-6-3, citations, p 8, 13, 17, 18, 22, 40, 42, 45, 47.

2008

Daniel Jewesbury, ‘Teacher, Artist, Activist’, The Visual Artists’ News Sheet, published by Visual Artists Ireland, November/December, 2008.

Dr. Slavka Sverakova, ‘The Third European Performance Art Festival’, Circa Art Magazine, no. 126, winter 2008, Ireland, p 90, photo, p 91.

‘Aught Naught’, video, published in digital magazine, Julio (www.thisisjulio.com), Ist edition, in Selector

Bartosz Lukasiewicz, ‘In The Context Of Art/The Differences’, published by Masovia Regional Centre of Culture and Arts, Poland, ISBN: 978-83-60623-50-3, pp48, 49, 50, 51

Valentin Torrens, ‘Pedagogy of Performance’, published by Beca Ramon Acin, Diputacion Provincial de Huesca, Spain 2007/8, ISBN: 978-84-85005-94-6, pp105, 106, 107, 108, 109

Declan McGonagle, ‘A Shout In The Street’, published by Golden Thread Gallery, Belfast, N.Ireland, ISBN: 978-0-9557469-2-5, pp9, 10, 11, 43

Julie Bacon, ed., ‘Arkive City’, co-published by Interface, University of Ulster, Belfast, N.Ireland and Locus + archive, Newcastle on Tyne, England, ISBN: 978-1-899377-30-5, Julian Warren ‘Arnolfini’s Archive: Some Beginnings’, photograph, p177, p179, citations, pp20, 169

Helge Meyer, ‘Schmerz Als Bild’, published by Verlag, Bielefeld, Germany, ISBN: 978-3-89942-868-1, pp281-291

2007

Av Sophie Allgardh, ‘Lex Jante Vagen Framat’, Paletten, 268-269, NR 2-3, 2007, Sweden, ISSN: 0031-0352, photograph p 9, citation p 11.

Richard Grayson, Pauline Van Mourik Broekman, Jonty Tarbuck and Matt Hearn, ‘This Will Not Happen Without You’, published by the University of Sunderland Press, England, 2007 ISBN: 978-1-899377-25-1 Citations: pp41, 64, 96, 98, 99, 100, 116, 120, 122, 125, 140, 147, 150, 153, 161, 246, 248, 249, 250

Sylvie Ferré, ‘The Challenge of Black Market International at the Tramway in Glasgow’, Published by Bloc Notes, Mapra, Lyon, France, September 2007, No 258, p24 (3 citations + photograph)

Nikki Milican, ‘New Territories’ Produced by New Moves International Ltd, Glasgow, Scotland, February 2007, pp 4, 5, 8, 9, 31, 38

Jamie McMurry, ‘Depicting Action’ Catalogue produced by McMurry and 18th Street Art Gallery, Santa Monica, L.A., USA

Kirsten Norrie, ‘National Review of Live Art’, Published by Art Monthly, April 2007, No 305, UK, p31 (citation)

Andre Stitt, ‘The Cat Show’ Cardiff art in Time, 2007, published by Trace: Samizdat Press, Cardiff, Wales, 2007 ISBN: 978-0-9553927-4-0 pp 9, 29, 90, 91, 96-99, 152, 153

Stowarzyszenie Dzialan Artystycznych, ‘Interakcje 2006’, Printed by Amat Druk Sp. ZO.O. Ul. Zyczliwa 10 Piotrkow Trybunalski www. amat.pl pp 10, 11 (citations)

Manuel Vason, ‘Encounters’ Published by Arnolfini, Bristol, England ISBN: 978-0-907738842 pp front and back cover, 10, 33, 38 (citations), 39, 45

Heike Roms, Alastair MacLennan: ‘Still Lives/Live Stills’, Catalogue (Flashes from the Archives of Oblivion), published by Chapter Art Centre, Wales, 2007 ISBN: 1-9000-292-78

Alexander Del Re, ‘Perfopuerto 2002-2007’ Published by Imprenta Victoria, Valpariso, Chile. ISBN: 978-956-8673000 Pp 72, 117, 118, 119, 126, 195, 196

R.C., ‘Flashes from the Archives of Oblivion,’ The Guardian, Dec 1 – Dec 7, Guide, p.37

Exhibitions: Pick of the Week Flashes from the Archives of Oblivion, The Guardian, Dec 8 – Dec 14, Guide Listings, p.37

Exhibitions: Pick of the Week Flashes from the Archives of Oblivion, The Guardian, Dec 15 – Dec 21, Guide Listings, p.37

2006

Robert Thill, ‘Action is Drawing: Acute Zonal Occult Outer,’ Drawing Papers (58), The Drawing Centre, New York, USA.

‘Stolons’ (11), in Andre Stitt (ed), Trace: Installaction ArtSpace 00-05, Wales:Seren, ISBN 1-85411-408-5, citations p8, 30, 40, 41, 161.

2005

Marcus Moser, ‘Performance im Zeitalter Der Vogelgrippe,’ Der Bund, December 9th, Culture Section. p15.

Performance-Festival ‘Bone VIII’, Berner Kulturagenda, No 24, 1-14 December, Front Cover.

Julie Bacon, ‘Various Locations in Northern Ireland: In Place of Passing,’ Circa Art Magazine, No 113, citations, p109, 112.

Theme: Performance Art, Alastair MacLennan and Declan McGonagle, Circa, p. 111, pp 70-73

Artur Tajber, ‘Odpowiedzi’, Fort Sztuki Art Magazine, NR02//1/2005, p.35

Slavka Sverakova, ‘A Survey of Art and Politics In Northern Ireland,’ Contexts, Art and Practice in Ireland, Volume 4, Issue 1, 2005, pp.18, 19,21

Randy Gledhill, ‘The New Exhibitionists’, Canadian Art, Volume 22, Number 2, Summer 2005, p. 44

Boris Nieslony, ‘The Principle of Black Market International’, produced by EPI Zentrum, Koln, Germany, February 2005

Isabell Massel, ‘Kunst Fur Den Augenblick’, peiner allgemeine zeitung, NR.161.28 Woche, 13 July 2005, p. 1

Nieves Correa & Hilario Alvarez, ‘Mad.03.Accion’, published by AVAM (Artistas Visuales Asociados de Madrid), Spain, ISBN: 609-4744-O/GU-164/2005, pp 23, 24, 25, 42, 43, 295, 296, 298, 299.

Alastair MacLennan, ‘Rain Rein Reign’, Performance art Conference (13), The Art of Co-operation (3), Catalogue produced by EPI Zentrum Berlin, 2005, p. 51

2004

‘Rain Rein Reign’ in Adrian Heathfield (ed), Live: Art, Performance and the Contemporary, London: Tate Publishing

Christopher Coppock, ‘A.R.E.’, The Vacuum, Belfast, Jan. 2004

Michael La Chance, ‘Quince Principes de Black Market International’, Intermagazine, n.86, Quebec

Nathalie Perreault, ‘Assumer la Lourdeur de sa Legerete’ Inter magazine, n.86, Quebec

Ajaccio, France ‘Docks,’ volume 3, nos 29-33, 2003, pp 276-277

Richard Martel, ‘Knot Naught Alastair MacLennan’, Inter Art Magazine, No. 88, Canada, p. 51

2003

Hugh Mulholland (ed) Knot Naught: Alastair MacLennan (Belfast: Ormeau Baths Gallery) Catalogue published on the occasion of ‘Knot Naught: Alastair MacLennan: A Retrospective

Aidan Dunne, ‘A Memorable Year for Solo Show’, The Irish Times, Dec 17th, p.14

R.C., ‘Alastair MacLennan’, The Guardian, Feb 8th, Guide, p. 34

Jenny Lee, ‘Living a Life all for Art’, Irish News Jan25th, Weekend Visual Arts Section, p.38

Ros Drinkwarter, ‘MacLennan’s Living, Breathing Art’, The Sunday Business Post, p.10

Aidan Dunne, ‘ It’s all in the mood’, The Irish Times, Feb 4th, Arts, p.4

Elizabeth Baird, ‘Expo catches spirit of Performance art, Belfast Telegraph, Feb 6th

Robert Clark, ‘Alastair MacLennan’, The Guardian, Feb. 8th, Guide, p.34

The Guardian, Feb 15th, Guide, p. 23

The Guardian, Feb 22nd, Guide, p. 23

The Guardian, March 1st, Guide, p. 23

Brian Kennedy, ‘Visual Arts North: Me Me Meme’, Circa, n. 103, p.16

Ian Hill, ‘Alastair – Just When You Thought You Knew Him’, The Newsletter, March 3rd, p. 33

Darwin Ail, ‘Sigue Encuentro de Performance’ El Mundo Al Dia, (Mexico), 20th June

Liam Kelly, ‘Alastair MacLennan’, The Encyclopaedia of Ireland, ed. Brian Lalor (Gill & MacMillan), p. 676

David Brett, ‘Belfast: Alastair MacLennan at Ormeau Baths’, Circa 104, Summer 2003, pp 72-73

2002
Guzzi, Paolo, ‘Lo stato della performance linee di tedenza in Europa’, Primafila Magazine, n. 83, April, pp. 25, 35, 36

Ross Birrell and Alex Finlay, Justified Sinners: An Archaeology of Scottish Counter-Culture 1960-2000 (Edinburgh: Pocketbooks 14)

Shirley McWilliams, ‘Screen and screen again’, Circa n. 100, summer 2002, pp. 44-45

Duncan McMillan, ‘Scottish and Irish Visual Art’, An Leabhar Mor/The Great Book of Gaelic (Edinburgh: Cannongate Books, pp. 8, 11, 213, 298
Guy Sioui Durand, ‘Exhaler…Inhaler’, Inter Art Magazine, n. 82, Autumn, pp. 54-56

Martina Galvin, ‘On the waterfront’, SSI Newsletter, nov/dec, pp. 32-33

Douglas Gordon, ‘Mirror Images: Douglas Gordon interviewed by Jean Wainwright’, Art Monthly Dec 2002-Jan 2003, p.2

‘For Name Naught’, Circa, n.100, p. 26

Alastair MacLennan, ‘Rain Rein Reign’, in End of Millenium: Performance Art, Bergen 2001, ed. By Robert Sot and Artur Tajber (Krakow: Fort Sztuki, 2001), pp. 1-6

Jay Merrick, ‘All Will Be Revealed”, The Independent, 12th Feb 2001, p. 12. B/W photograph.

‘The Five Best Shows Around the Country’, The Independent, ‘Information’ 6th Jan, 2001. (on ‘In Memoriam).

Sergio Edelsztein, ‘La Accion y su Huella’, La Revista do CGAC 1 (Santiago de Compostela: Centro Galego de Arte Contemporanea, 2001), pp. 98-109.

Beat Wyss, ‘NEMA(rt)X – Die Markt-Performance’, Neue Zurcher Zeitung, ‘Literature and art’, 9th-10th June 2001, pp. 87-88.

Slavka Sverakova, ‘Performance Art in Ireland 1975-1998’, in Art Action 1958-1998 ed. By Richard Martel (Quebec: Editions Intervention and Nouvelles Editions Polaires Nepe, 2001), pp. 412-424.

Julie Bacon, ‘Installaction, Pays de Galles, Trace, Les Zones Heterogenes de l’Art’, Esse, Spring 2001, pp. 62-68

Roselee Goldberg, Performance Art: From Futurism to the Present (London: Thames and Hudson, 2001, pp. 220-221

‘Con El Cuerpo Por Delante: 47882 Minutos De Performance’, © National Institute of Fine Art, Mexico, ISBN 970-18-7048-4, pp5, 99

2000
Cliff Eyland, ‘Cliff Eyland’s Liverpool Notebook’, C International Art Magazine n. 65, spring, p. 30

‘..AS..TO..BE..’ (10 page artwork), Performance Research, v. 5, n. 3, pp. 4-5, 28-29, 74-75, 100-101, 138-139.

Jessia Lack, ‘In Memoriam’, The Guardian, The Guide, 23rd Dec, 2000, p. 32

Karen Joyner, ‘In Memoriam’, Metro, No. 658-45.510, 22nd Nov 2000

‘In Memoriam’, What’s On Magazine, p. 30, Nov. 2000

‘The Five Best Shows Around the Country’, The Independent, 16th Dec, 2000

Linda Montano, ‘Ritual/Death’, Performance Artists Talking in the Eighties (University of California Press), ISBN 0-520-21022-0, pp. 385-386, 508

Blackmarket International Citations at Expo 2000:

‘Irritationen in der Hightechwelt’ in Hildesheimer Allgemeine Zeitung, Culture Section, Dienstag, 6th June 2000, p12

‘Die Dunkle Seite der Weltausstellung’ in Peiner Allemeine Zeitung Mittwoch, 7 June 2000, p15

Bernd Lˆbach-Hinweiser (ed). Kunstlerbanknoten: Artists Banknote Works, Exhibition Catalogue Weddel: Museum fur Moderne Kunst, 2000

Jonathan Jones, ‘Pick of the Day’, Exhibitions, Alastair MacLennan, The Guardian, 3 March, p15

Mark Ewart, ‘Cork, Art Trail ’99’, Circa Art Magazine No 91, Spring 2000, p46

Tony Godfrey, ‘British Art and the British Art Show 1976-2000’, in the British Art Show 5 (London :Hayward Gallery 2000) pp 20-32

1999

Alastair MacLennan, ‘Actuation for Installation’, Inter Magazine, No. 74, Quebec, Canada, pp 18/19 (b/w photographs of artwork)

Richard Cork, ‘We Love You, Yeah, Yeah, Yeah’, The Times, London Newspaper, p 42, 29th September (artwork discussed)

Aidan Dunne, ‘Gondolas are Optional’, The Irish Times, Dublin Newspaper, p 12, 28th September (b/w photograph of artwork)

Laura Cumming, ‘When you’re tired of Liverpool’, The Observer Review, London Newspaper, p 12, 3rd October (artwork discussed)

Penny Fray, ‘City at the Centre of the Art World’, Daily Post, Liverpool Newspaper, p 21, 24th September (b/w photograph and artwork discussed)

Ian Hill, ‘A Seat at the Table for Victims of the Troubles’, Newsletter, Belfast Newspaper, p 27, 11th October (artwork discussed)

Aidan Dunne, ‘Nothing We Like More Than a Good Shock’, The Irish Times, Dublin Newspaper, p 12, 10th November (artwork cited)

1998

Dr Sverakova, ‘Radical Therapies, Contemporary Performance Art in Ireland’, in Art Supplement to Fortnight Magazine 375, Northern Ireland, p 7, p 8 (first paragraph) and b/w photograph, p 9, last 10 lines (artwork discussed)

Celia Lyttleton, ‘Biennale Fever’, Daily Telegraph (Magazine), London Newspaper, pp 10/11, 6th November (colour photograph and work cited)

Richard Martel ‘L’Art en Actes’, Le Lieu, Centre en Art Actuel, 1982-1997 Les Editions Intervention, Quebec, Canada, Artist’s Citation pp 69/70, 100, 130/131, 173, 174, 176, 178, 190, 193, 194, 281, 299

RoseLee Goldberg, ‘Performance – Live Art since the 60’s’, Thames & Hudson, London, England, Artist’s Citation, pp 23, 52 (plus 2 colour photographs) and p222

The International Exhibition Part I, Venice Biennale 1997, Audio Arts Magazine, vol. 17, Nos. 1&2, (Tape 2, side 3 – Alastair MacLennan)

Andrea Phillips edited ‘Out of Time’, book/Hull Time-based Arts, 1984-1998, published by Hull Time-based Arts, Hull, England, pp 14&15 (work discussed)

Jim McDowell, ‘Saying Yes to a Future of Peace and Stability’, Sunday World, Northern Ireland Newspaper, p8, 24 May (artwork discussed)

Lindy McDowell, ‘The Bridge of Sighs’, Belfast Telegraph, Northern Ireland Newspaper, p5, 23 May (artwork discussed)

Citations in ‘Occupational Hazard. Critical Writing on Recent British Art’, Black Dog Publishing, England. Citation 1 – Naomi Siderfin, ‘Occupational Hazard’ essay, p34: Citation 2 – Malcolm Dickson, ‘Another Year of Alienation’ essay, p90: Citation 3 – Julian Stallabrass, ‘A Place of Pleasure’ essay, p180 (photograph), pp 181, 182, 185, 192 & 193

Shirley MacWilliam, ‘The Sound of Bells and Bellies : Acoustic Authority and Sound Effects’, article in Circa Art Magazine No. 85, Ireland, p26, para 2, 4 photographs (work discussed)

Laura Gannon, ‘Infusion’, article in the Sculptors Society of Ireland Newsletter, Sept/Oct ’98. The performance ‘Dearth’ discussed, p30

‘The Live Medium, Performance Art: A Marginalised Medium’, the Artist’s Statement in Journal of Representative body for Professional Art in Ireland ISSN 0790-5858, p7, Art Bulletin, No. 81, vol. 15 June/July

‘Duncan of Jordanstone – The Legacy’, Artist’s citation in Artifax, issue No. 6 Summer ’98, bottom of page 8, published by Dundee Media Publishing Limited, Scotland

‘Cross Currents in Culture’, Variant Magazine, vol. 2, No. 6, Autumn 1998

Citation of work, by Simon Herbert in ‘Performance’ article, first para, lines 4 and 5

1997

Marian Lovett, ‘Changing Places in Dublin’, article in Artists Newsletter, England, Nov, pp 6-7

Michael Wilson, ‘The Gallery at Home’, article in Artists Newsletter, England, Dec 1997, pp 11-12<

Jeni Walwin, ‘Low Tide’, Black Dog Publishing, England, under the article Disorders, pp 54-55 ‘Alastair MacLennan Thirty Two Drawings and a Text’, Book of 32 drawings, published through David Brett of Black Square Books, Belfast, Northern Ireland

Adrian Heathfield edited ‘Shuttered Anemonies’, 15 page Photographic Art Work in the ‘Shattered Anatomies’ Performance Art Publication, published by Arnolfini Live ISBN-O 907738540, Bristol, England

Gemma Tipton, ‘Opium of the Masses?’, article in Circa Art Magazine, Ireland, No. 82 , p32

Luke Clancy, two citations in ‘Installation/Multi-Media’ in ‘The Turn of the Year’, Irish Times, Arts p11 17 December

‘Alastair MacLennan’, Review of Drawing Exhibition at the Ormeau Baths Gallery, Belfast, 6-20 Dec; in the Sunday Times England, Culture Ireland,p18, 21 Dec, written by Gavin Murphy

Review of ‘Pael’, Actuation (Performance/Installation) for the Performance Art Festival, Odense, Denmark in Berlingske Tidende, article by Af Mai Misfeldt, Odense, Denmark, 7 Nov

‘Exit’, New Art in Poland, Quarterly No. 4(32) 1997 in article ‘The Energetic Clock’ by Lukasz Guzek, p1581 – full black/white photograph and p1582, lines 5-8

Tanya Kiang, ’47th Venice Biennale’, Circa Art Magazine, No. 81, p57

Tanya Kiang, Editorial, Circa Art Magazine, No. 80, p4

‘Axe X is’, Meridian Crossings, Plasy, Czech Republic, Centre for Metamedia, Unpaginated

Aisling Prior, ‘Review of the Venice Biennale’, S.S.I. Newsletter, Sept-Oct, pp 28-29

Sarah Kent, ‘Art Tale of Two Cities’, Time Out, No. 1404, 16-23 July, pp 14-16

Jean-Damien Fleury, ‘Provocation’, La Liberté, 2 July

Aidan Dunne, ‘Rotting Meat and Heaps of Earth’, The Tribune Magazine, 22 June, p34

Medb Ruane, ‘Important Notes in the Margin’, The Sunday Times, Section II, 22 June, pp 14-15

Francesca Pasini, ‘Biennale’, Il Secolo XIX, 20 June, p12

Brian Fallon, ‘Venice Observed’, The Irish Times, Thursday 19 June

Richard Cork, ‘Death Still Fashionable in Venice’, The Times, Tuesday 17 June, p19

‘Eye to Eye’ Interview by Mark Dawes, Artists’ Newsletter, June, p13

Mark Dawes, ‘Trusting Inter-relations’, Circa Art Magazine, No. 80, June, pp 22-27

Mark Orange, ‘Compass’, Artists’ Newsletter, April, p15

Aidan Dunne, ‘Critics Choice: Alastair MacLennan, Project Art Centre’, The Sunday Tribune Magazine, 12 Jan, p34

Luke Clancy, ‘Remembrance of a Gruesome Past – Alastair MacLennan, Project Art Centre’, Irish Times, 4 Jan

‘Alastair MacLennan interviewed’, interview by Roddy Hunter, Transcript, Vol. 3, issue 1

Sean Taylor, ‘Infusion 97’, Art Bulletin: Journal of the Representative Body for Professional Artists in Ireland, Vol. 14, No. 75, p32

‘Art Journal’, published by College Art Association Inc., New York, U.S.A., Performance Art Issue, Vol. 56, No. 4. Artists’ pp 4, 5, 26, 27, 34, 35, 48, 49, 84 and 85

‘Mael 69/96’, Performance/Research, Vol. 2, No. 1, special issue: Letters from Europe, Spring 1997

1996

‘Temper of the Times’ (text work) Performance Research Vol. 1 No. 1, Spring, p4

Gustav Metzger, ‘Earth to Galaxies: On Destruction and Destructivity’, Tramlines, no 5, Tramway Visual Arts, Glasgow, Scotland, ISBN: 1-899-551-13-1, citation, p 12.

‘Dole Lode’ (2 page artwork) Performance Research Vol. 1 No. 1, Spring, pp 96-97

Photo/Text Works in Ric Allsopp and Scott Delahunta (eds), The Connected Body? for Amsterdam Readings on the Arts and Arts Education, Amsterdam: Amsterdam School of the Arts, pp 11, 50, 51, 52, 53, 60, 65, 76, 83

‘Mind a Gap’ (1988-96), in Map, London: The Institute of International Visual Arts, pp 2-29

Alastair MacLennan, Coming to Meet, (artist’s book), Dublin: Project Art Centre

Kevin Henderson, ‘Fix 96’, Circa Art Magazine, No. 77 pp 56/57

Lorraine Whelan, ‘A Day at EV+A in Limerick’, Art Bulletin , Vol. 13, June/July, pp 32/33.

Martina Pachanova, ‘Tela, Hlasy, Media v Libni’, Literarni Novinu, No. 15

Mark Johnston (ed), Crossing Boundaries: Belfast, San Francisco State University Art Gallery

Liam Kelly, Thinking Long: Contemporary Art in the North of IrelandKinsale, Gandon Editions,

pp120, 133-135

Geraldine Pilgrim, ‘National Review of Live Art, Glasgow’, Live Art Magazine, No. 13, Dec 96-Feb 97, p26

1995

Luke Clancy, ‘Mean Wean’, Irish Times, 18 Feb

Mark Ewar, ‘Wain Vane’, Irish Times, 3 Mar

Marcus Moser: ‘Black Market International’, Berner Wocher, 9 June, p2

‘Body Dimension: International Performance Presentation’, Monthly Magazine of the Art World, Korea, No. 11, Nov, p74

‘Work With What Has Been Spoiled’, Art in Process Project for Circa, No. 74, Dec, pp 35-42

1994

Vivien Burnside, ‘LÆT LÆN PÆON PÆAN’, Circa, No. 67, p47

Marcus Moser, ‘Raw War, Berner Galerie’, Berner Woche (29 April – 5 May), p8

Marcus Moser,’Klimata Project’, Der Bund, 14 May, p7

Michael Kreathlow, ‘Raw War’, Berner Zeitung, (Kultur Section), 11 May

‘Black Market International Performance’, Volt, May

Gavin Weston, ‘Review’, Sunday Times, 3 July, p52

‘Preview’, Live Art Magazine, No. 2, July/Sept, p7

‘Preview’, Live Art Magazine, No. 3, September/November, p9

Philip Mussen, ‘Hit and Run’, Sculptors’ Society of Ireland Newsletter, August/September, p8

Tukasz Guzek, ‘Alastair MacLennan’, Tumult No. 11, pp 53-56

Declan McGonagle, ‘Alastair MacLennan Interviewed’ (Polish translation), Tumult No. 11, pp 30-36

Zbigniew, Warpechowski, ‘Black Market International’, Tumult No. 11, pp 11-14

Brian Kennedy, ‘Hit and Run’, Circa, No. 69, Autumn, p64

‘Irish Days II’, Circa Art Magazine, Issue No. 70, pp 53-57

The Artists of the Gallery, Sandomierz: Contemporary Arts Gallery

Simon Herbert, ‘Bread and Circuses’, Art and Design special issue: Performance Art in the 80’s, No. 38 pp 7-9, 30-31

Tim Etchells ‘Mind the Gaps’, Versus No. 3, pp 42/43

1993

Slavka Sverakova, Available Resources, Londonderry: Orchard Art Gallery

New Observations, No. 95, May-June

‘Interzone’, Inter No. 55/56, pp 23, 25, 43

Slavka Sverakova, Art and Nationality, Inside, Outside, Manchester: Cornerhouse Gallery, pp 17, 18, 19, 20, 24, 25

Cordelia Oliver, ‘A History of the Third Eye Centre’, Variant, No. 15, pp18/19

Gavin Murphy, ‘Review: Black U Jack Tri No Colour’, Circa pp 56/57

Citation in Fundacio “La Caixa” 1992 Year Book, Turin and London: Societa Editrice Umberto Allemandie, pp 44, 118, 133

Siraj Izhar, ‘Review of Woodwork’, Hybrid No. 4, p36

‘Woodwork’, Hybrid No. 4, p13

Brian McAvera, ‘Irish Days on the Pomeranian Coast’, Hybrid No. 4, p38

Andrea Phillips, ‘Room for Risk’, Artists Newsletter (November), p33

Helen Cadwallader, ‘Review: SIC: Hull Time Based Arts’, Hybrid No. 6, p49

Stephanie Vidall-Hall,’Rites of Conviction, Now Festival, Nottingham’, Hybrid No. 6, p52

1992

Paul Little, ‘Available Resources’, Circa No. 61 Jan/Feb, pp28/29

Janet Koplos, ‘Black Market International’s Performance at the Anchorage’, Art in America, Jan, p120

Slavka Sverakova, ‘Available Resources’, Inter, No. 53, Summer, pp 42-44

Roland Miller, ‘The Curtain Rises II’, Variant, No. 12, Summer/Fall p19

Rob Le Frenais, ‘Empedokles’, Hybrid, pilot issue

Norbert Klassen, Performance Art Netzwerk, Benteli pp 178-181

‘Alisdair McLinton/Alasdair McGlaughlin’, 2 page artwork, Circa, No. 62

1991

Yvan Pageau, Premiere Biennale D’Art Actuel De Quebec, Quebec pp 33/34

Euan Sutherland, ‘Live Work Weekend’, Variant No. 9 (Autumn) p46

Hilary Robinson, ‘Available Resources’, Alba Vol. l No. 5 Oct/Nov, p23

Slavka Sverakova, ‘Not Surrendering the Pink’ Writing Ulster Nos. 2 and 3, p41 and pp 49-51

Richard Layzell, ‘Beginnings in Britain’, Live Art, Sunderland: Artists Newsletter, p27

Simon Herbert, ‘Documentation’, Live Art, Sunderland: Artists Newsletter, pp 107/108

N Reilly, ‘Review’, Performance No. 63, pp 20-22

Hilary Robinson, ‘Artists of a Diaspora: Alastair MacLennan’, Alba, (April) pp 20/21

The List No. 144, p15, March/April

Performance Now, Summer, pp 16/17

Front cover colour photograph Credo, April

G Durand, Credo April p39

1990

Arts Council Collection – Acquisitions 1984-88, London: The Arts Council of Great Britain

‘Interview’, Circa No. 50, Mar/April

Richard Martel, Inter Magazine No. 45, June

David Brett, Circa No. 52, p32, July

Miranda Tufnell and Chris Crickmay, Body Space Image, London: Virago Press, pp 168/169

1989

Gray Watson, ‘Performance Art’s Untapped Potential’, Art International (Summer)

1988

Stephen Snoddy (ed): Is No Bristol: Arnolfini Gallery, England

‘Interview’, Variant no 4 (Spring) Malcom Dickson and Billy Clark, ‘Interview’, Variant no 4 (Spring), pp 27/28

‘Review: Collaboration’, Circa No. 39

Steven Durland, ‘Live at the Project’, High Performance No. 44

Steven Durland, ‘Edge 88’, High Performance No. 44

1987

Interview and review, Discussion (Spring)

Interviews and reviews, Performance, Issues Nos 47, 48, 49 and 50

1986

Interview on Polish TV re Irish/Polish art and artist exchange programme

‘Review’, Belfast Review no 14 (Summer)

Review of ‘Sink a Death Stop’, Alba no 1 (Summer)

1985

‘Performance Art Survey’, Performance No. 37

‘Art Education in Art Colleges and Universities’, Circa No. 25

‘Interview’, Aspects No. 30

Photo documentation in Panda’s Over No. 6

‘British Art Show’, Art Monthly No. 87

‘Letter’, Performance No. 34

‘British Art Show’, Performance No. 35

Photo Documentation in Artists’ Newsletter (Sept.)

1984

Included in Dr Prof Franco Tralli, Critico – Financial Catalogue: Artists of the European Community 1984 Bologna: Seledizioni

Featured in High Performance,(summer) Special Issuue: Performance Art in Britain and Ireland

Interviewed and art featured on Ten Leading European Performance and Video Artists Video documentary

1983

Audio Tape ‘Royal Avenue’ included in Audio Arts presentation for the Hayward Annual Sculpture Exhibition, Hayward Gallery, London. Audio Arts tape also broadcast by BBC Radio 2, J Sydney, Riksradio Stockholm, VPRO Amsterdam, etc.

Excerpt from ‘Royal Avenue’ Audio Arts contribution played on the John Peel BBC Radio 1 Show, 10 Aug

Included in La Mamelle International Video Tape Library, La Mamelle Inc., San Francisco, California

Photo documentation and text of Performance/Installation ‘Felt Crosses/False Teeth’, Los Angeles Contemporary Exhibitions Gallery, in High Performance No. 22, September

‘Interview’, Circa No. 13

1982

Work featured in Roderick Knowles, Contemporary Irish Art, Dublin: Wolfhound Press

Performance excerpt featured on BBC TV ‘Not the Nine O’Clock News’

Slide Documentation of Performances included in International Artists Association Exhibition/ Conference in Helsinki, re ‘Art and Artists for a New World Order’.

Video documentation from 24 hour non-stop ‘Fish’ Performance in International Video Festival, Rome

1973

Documentation of ‘To Stand’ in Breakthrough Fictioneers, New York: Something Else Press

Work in Canadian Trajegoires ’73 ARC Musee d’Art Moderne de la Ville de Paris, Paris, France

1972

‘Halifax-Vancouver Artist Exchange Review’ Arts Canada

1970

Publication ’70’ – work featured in Chicago publication devoted to conceptual art forms, Chicago, Illinois, USA

c/o Sam Carter, Summer numbers 12345678910 video environment event, a space gallery, Toronto, Ontario, Canada

Dust No. 17: 15 pages from ‘No-Knock’ – manuscript

8 pages from ‘To Stand’ document, Dust Magazine, Sacramento, California, USA